

Organizing Your Vocal Journey
Sometimes the work we do as a singing artist can get a bit esoteric. It helps to demystify as many of our experiences as possible, so...


Making a Summer Program: 6-Weeks
So, say you’re at that age where seemingly all of your friends are going to expensive summer programs. For whatever reason (money, time,...
Why Classical Musicians Need To Improvise (Part 2)
In the last blog post I spoke about the intersection of discipline and improvisation in the performing arts, especially with regards to...
Why Classical Musicians Need To Improvise (Part 1)
What do you think of when I say improvisation? Most people probably have an image of jazz musicians, or perhaps comedians, enter their...
What is an operatic voice?
One of the largest misconceptions about training an operatic voice is that teachers want students to sound a certain way. Many students...
Tongue Tied (part 2)
In the last blog entry, we talked a bit about the tongue and how to work on relieving tongue tension from the singing voice. You may be...
Tongue Tied (part 1)
I’m sure we have all been told this at some point in our singing careers: “I think it’s tongue tension”. What does that even mean? How is...


Voice Lessons in Porter Square
Hello All, I am looking to fill spaces in my home studio. If you are interested, please feel free to contact me.


The Cyclochromatophone
My partner and I have been working together to create a color wheel keyboard. TRY IT OUT HERE Here is a brief description from the About...
His name may be "Smalin" but his work is huge!
Smalin is one of the great aesthetic pioneers of our day. He has explored a wide range of ways to visualize music. Sometimes using...